Keith Jarrett - Mortage On My Soul (Wah-Wah)

Mortage On My Soul (1972)

This track demonstrates that Mr. Jarrett can rip it on a soprano sax (1st solo) while playing over one of the hardest bass lines Charlie Haden ever recorded.

Le Orme - Evasione Totale

Evasione Totale (1971)

Before they got noodly and a tad too sugary.

Spectre - Arkham

Spectre - Arkham

Space colony takeover music

The Esso Trinidad Steel Band - I Want You Back

I Want You Back

A great steel drum cover of the Berry Gordy and Alphonso Mizell classic

Chris Rae & Frank McDonald - Night Moves

HOARD

RIP Hugh Hopper

One of the finest electric bassist to ever play. I was immediately attracted to his simple and poignant bass playing. I think it was "Kings and Queens as well as "Drop" and "As If" from Soft Machine 5 that most acquainted me with his style. Unlike a lot of musicians, he's able to say a lot while playing few notes. His groovy-ness was unlike many of the other bassists who played fusion in the early to mid-70s: no slapping and no ostentatious presentation. Aside from being a superb bassist, he was one of the few people who experimented with tape-delay manipulation. Around the same time as Steve Reich and Terry Riley, Hugh Hopper, (who seems to get little recognition for manipulating live samples via reel-to-reel tapes) made sound scultpures that can be heard on Soft Machine's seminal album, "Third," along with his first solo release, "1984"

Hugh Hopper - Hopper-tunity Box (1976)
A medieval march song from his second solo album. Includes Gary Windo and Elton Dean

Soft Machine - Kings and Queens (written by Hugh Hopper)
from "4"

Alan Gowen & Hugh Hopper - Morning Order (1982)
A beautiful blend of cascading synths and robust electric bass, from their album "Two Rainbows Daily"

Aleke Kanonu - N'Gwode & Mother's Day

N'Gwode (1980)
An extremely rare afro-beat/funk album featuring Wilbur Bascomb on bass. Before recording his self-titled album, Aleke performed with Stanley Cowell and recorded on his '75 Strata-East release, "Regeneration." No other information seems to be obtainable about his musical output or his current location - his one and only album release; all the tracks are heat.

Mother's Day (1980)
A beautiful and sparse percussion track with pidgin mutterings and lush piano chords.